Tania Bruguera on transforming Tate Modern’s Turbine Hall
The Cuban artist wants people to mingle in the museum – and still believes in the power of political art
‘Every work I create is a mathematical dream’ – an interview with Beatriz Milhazes
Beatriz Milhazes discusses colour, craft, and collaboration – and what her work owes to her native Brazil
The hidden bones of buildings
Monika Sosnowska’s sculptures reflect on the architecture of post-war Eastern Europe
The best of the Frieze week satellite events
From the 1:54 Contemporary African Art Fair, to artists’ films at the BFI London Film Festival, there’s plenty to see outside of Regent’s Park
Over Venice? Here are the best biennials to visit this autumn
There are plenty of events opening in the coming months, from Bamako’s photography festival to the sprawling, ‘borderless’ BienalSur
The successes and failures of Documenta in Athens
The decision to stage part of the 14th Documenta in Athens has been widely debated. Now that it’s open, what are the highlights of the programme?
‘It was almost as if the stations were crying’
Yuko Mohri talks about looking for leaks on the Tokyo metro system and her new installation at White Rainbow in London
A fierce reminder of why we need feminism more than ever today
The Photographers’ Gallery has put together an exhibition of feminist art from the 1970s which is still worryingly relevant today
‘If I could describe a photograph entirely in words, why bother making it?’
Dayanita Singh discusses her work and the pointlessness of taking ‘beautiful’ pictures ahead of an exhibition in London
Is it worse in Europe? A look at art and inequality with the Guerrilla Girls
The anonymous activists on sexual and racial discrimination, Donald Trump, and why it’s actually better in Poland
Inside Cuba’s changing art world
Havana’s contemporary artists face a contradictory mix of opportunities and restrictions
Graphic surprises from Sergei Eisenstein
The master of the Soviet avant-garde had a soft spot for England – and the works of Arthur Conan Doyle
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Are the art market’s problems being blown out of proportion?