Christina J Faraday is a research fellow in history of art at Gonville and Caius College, Cambridge and the author of Tudor Liveliness: Vivid Art in Post-Reformation England (Paul Mellon Centre).

Manny Vega makes a splash in New York

The mosaic artist’s celebration of El Barrio combines influences including African clothing to Latin jazz to create something wonderfully new

22 Oct 2024

How printmaking made a lasting impression

Printing is found throughout art history – and often in the places you least expect it, as Jennifer L. Roberts demonstrates in her highly original new book

10 Oct 2024

Contemporary art casts a spell in a London chapel

The Fitzrovia Chapel is an atmospheric choice of venue for an exhibition with an occult edge

The afterlives of the wives of Henry VIII

Being married to the monarch was a hazardous business, but all six queens have lived on in popular memory and the artistic imagination

28 Jun 2024

The rise of the Renaissance woman

The flurry of exhibitions focusing on women artists is very welcome – as long as they avoid reinforcing tired old narratives

28 Nov 2023

Restoring the largest tapestries in England has been a massive success

It has taken the National Trust 24 years to restore the Gideon Tapestries at Hardwick Hall to their former glory

11 Aug 2023
The Tempi Madonna (1508), Raphael. Alte Pinakothek, Munich

How Raphael gave the Virgin Mary more to do

In the works of Raphael the Virgin Mary often plays a more active and more joyful role than she is allowed by other artists

27 Jul 2022
A carved-oak falcon that probably adorned Anne Boleyn's apartments at Hampton Court Palace. Photo: Paul Fitzsimmons/Marhamchurch Antiques

The Tudor art lurking behind our wallpaper

A carved-wood falcon linked to Anne Boleyn and wall paintings in Hertfordshire and Yorkshire are exciting discoveries for our understanding of Tudor England

18 Nov 2021

The Aztec origins of John Dee’s famous mirror are quite the mystery

The discovery that the astrologer’s ‘scrying glass’ is made of obsidian from Mexico points to the complex global webs surrounding many Tudor objects

22 Oct 2021
Portrait of an Unknown Woman (c. 1590–1600), Marcus Gheeraerts the Younger. Photo: Royal Collection Trust/© HM Queen Elizabeth II 2021

Talking heads: the prattling paintings of Renaissance England

Why do paintings and objects from the Tudor and Stuart periods have so much to say for themselves?

15 Jul 2021
Broadcasting legend? Cellini’s Perseus plus boombox

Art really does work on the radio – especially if it’s cast as true crime

A new series on BBC Radio 3 delves into the notorious life of Benvenuto Cellini – and it’s a binge-worthy Renaissance thriller, Christina Faraday writes

22 Mar 2021
Crowning Glory? Henry VIII wearing the lost Tudor crown in a portrait by Hans Holbein.

Has a piece of Henry VIII’s lost crown been buried in the Midlands for 400 years?

Late medieval gold is vanishingly rare, so a metal detectorist’s discovery may be a truly spectacular find

Delftware plate (1661). The Bryan Collection, Lake Bluff, Illinois.

Period pieces – the fashion for putting dates on domestic objects

From commemorative wares to ordinary utensils, inscribing dates on household objects was once common practice

12 Jan 2021
The headquarters of the Royal College of Physicians in Regent’s Park.

The Royal College of Physicians’ plan to sell its rare books would be a serious medical error

A proposal to sell off ‘non-medical’ books in the institution’s library takes too narrow a view of the history of medicine

28 Oct 2020
Screenshot of The Procession to Calvary.

Renaissance remixed – a surreal video game takes a sideways look at art history

Could a Pythonesque computer game set a good example for galleries trying to attract virtual visitors?

21 May 2020
Thomas Cromwell (detail), (1532–33), Hans Holbein. The Frick Collection, New York.

‘Hilary Mantel brings her characters to life with as much clarity as a Holbein portrait’

The novelist’s Thomas Cromwell trilogy suggestively fills in what art historians can only guess at

23 Apr 2020
Richard III (detail; late 16th century), English School.

Painted as a villain – how the Tudors regarded Richard III

The latest addition to the long gallery at Hever Castle presents the Plantagenet king in the worst possible light

Little Britain – the Elizabethan passion for portrait miniatures

Flaunted in public and pored over in private, the portraits of Nicholas Hilliard and Isaac Oliver encapsulate their age

13 Apr 2019