The contemporary artists who have cracked the market for prints
More and more artists are partnering with online platforms to sell limited editions of their work – and it’s paying off handsomely, for now
Where are all the young collectors?
The art world is changing fast, but fostering a new generation of young collectors remains a challenge for the market to overcome
What lies in store for the French art market?
Despite what is widely regarded as a lucky escape in July’s elections, further challenges may well lie on the horizon
How Indigenous artists are holding their own in the art market
This year’s edition of the Venice Biennale points to and even reinforces the growing interest of collectors
Will the May auctions have a spring in their step?
If sales so far this year are anything to go by, the high-profile auctions taking place this month may not bring much excitement
Who really pays for public exhibitions?
The Venice Biennale is a good time to pull back the curtain on the funding of major arts events, which can often be shrouded in mystery
How Adriano Pedrosa is opening up the Venice Biennale
The director of the 2024 Biennale talks to Apollo about the challenges the event faces and why he is sanguine about the changing political tides
What’s in store for the art market in 2024?
After a period of mediocre post-pandemic growth, what will the next year bring? Apollo’s columnist peers through the mists to make some predictions
Why won’t the UK government stand up for the arts?
The art market is one of Britain’s economic successes, but politicians of all stripes are unsupportive of the sector
How healthy is London’s contemporary art market?
The first Frieze Art Fair in 2003 made the capital cool again – but how much does it matter now, 20 years on?
Is Frieze Art Fair still a hot ticket?
Seven leading curators, art advisors and gallerists look back on the launch of the London event and consider how relevant it is today
Can selling artworks in small pieces yield big dividends?
A new breed of business is offering investors shares in blue-chip artworks – and making big claims about their profitability
The young gallerists reinvigorating London’s art scene
A wave of emerging galleries is breaking across the capital despite difficult economic conditions
Who’s afraid of video art?
Six leading figures in the art world discuss the challenges of collecting and showing video art
Who really wants to buy video art?
Video art makes the running in the art world – but commercially, it has some catching up to do
How New York took over the art world
After decades of globalisation, the centre of gravity is shifting back to the Big Apple
Why does Surrealism feel so contemporary?
As the movement approaches its 100th anniversary, six experts explain why it continues to inspire artists, collectors and curators today
Why is Surrealist art so popular?
Public and curatorial interest in the avant-garde movement shows no signs of abating but the market is less stable
What does the future hold for the antiquities trade?
A new drive to ensure that ancient objects were obtained legally is transforming the market
Does the Old Masters market need to learn some new tricks?
Are collectors less interested than they used to be, or is the trade showing a lack of imagination? Five experts weigh in.
How healthy is the market for Old Masters?
Blockbuster shows and occasional auction records can seem at odds with the lukewarm interest from collectors
What will happen to the art market in 2023?
After the uncertainty of the pandemic, the art market bounced back in 2022, but what challenges will the new year bring?
Can NFTs make a comeback?
Five leading figures in the digital art world offer their insights into how the NFT market will evolve following the crypto crash
NFTs after the crypto crash – what happens now?
Are NFTs a revolutionary approach to new media art or simply a fleeting trend? Jane Morris explores the role of non-fungible tokens today
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Are the art market’s problems being blown out of proportion?