‘We are on the brink of a different world’ – Caroline Lucas MP turns to curating
The Green Party MP takes her pick of the Towner Art Gallery’s permanent collection – and hopes it will spur others to climate activism
London’s new landmark is a triumph of engineering
Conrad Shawcross’s ‘Optic Cloak’ in Greenwich is sympathetic to both its natural and social context. Can the wider redevelopment of the area follow suit?
A frightening take on the War on Terror at the IWM
Edmund Clark’s eye-opening exhibition will make you think again about the impact and ethics of counter-terrorism and state control
Fitting the entire universe into an art gallery
Katie Paterson once beamed Beethoven’s Moonlight Sonata to the moon and back. At the Lowry, she continues to explore the vastness of space
Photography as a medium seems richer than ever
It’s important that photography retains its social, human edge as we enter another turbulent year
Dan Holdsworth’s dizzyingly beautiful photographs on show in Southampton
The scientific made spiritual
Review: ‘Human Rights Human Wrongs’ at The Photographers’ Gallery
Can photography influence social and political events, or just record them?
Impossible balance: Richard Serra’s sculptures at Gagosian Gallery
The complexity and integrity of Serra’s monumental work is mind-blowing
Review: Jane and Louise Wilson’s ‘Undead Sun’ at the Imperial War Museum
Undead Sun explores the First World War’s nascent mechanics of propaganda, aerial warfare and camouflage
Review: Mark Neville’s Helmand Work at the IWM London
Mark Neville’s films and photographs from Afghanistan reveal the strange banality of war
The Rodin Gift to the V&A: a centenary celebration
In 1914 Auguste Rodin gifted 18 sculptures to the V&A, in tribute to the British soldiers fighting alongside his own countrymen in the First World War
Review: ‘The Power of the Sea’ at the Royal West of England Academy
Interest in maritime art ebbs and flows, but it seems that we have hit a new wave
Stimulating the mind and the eyes: Barnes and Shonibare
Yinka Shonibare’s work at the Barnes Foundation is both entertaining and deeply reflective
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Are the art market’s problems being blown out of proportion?