The status of performance may be on the up, but its place in the art market is still precarious
Jonathan Griffin
This episode explores an ancient funeral stele, Marie Antoinette’s breast bowl, and how digital technologies are helping to preserve Egyptian heritage sites
![Masterpiece [Re]discovery 2022. Photo: Ben Fisher Photography, courtesy of Masterpiece London](http://zephr.apollo-magazine.com/wp-content/uploads/2022/07/MPL2022_4263.jpg)
Performance art costs a lot to produce – but can it make money, too?
The status of performance may be on the up, but its place in the art market is still precarious