A chance to get up close with illuminated manuscripts and discover the often madcap ways that medieval illustrators viewed foreign lands
Apollo
House-sized snails, roaming unicorns, dog-headed men and beavers with fish-tails abound in the Book of Marvels of the World, a rich illuminated manuscript produced in France in the 15th century by the Master of the Geneva Boccaccio that depicts far-flung lands from a European point of view. Four copies of the manuscript survive, two of which are on display at this exhibition at the Morgan Library and Museum in New York, which has transferred from the Getty Center (24 January–25 May). The Morgan is displaying the two copies with extracted plates and excerpts of text, as well as contemporaneous documents such as a 15th-century German map of the world, an Ottoman book of wonders and a 12th-century English bestiary, all of which provide fascinating insights into how foreign cultures were imagined long before global travel became possible.
Illustration of Traponee (Sri Lanka) from the Book of the Marvels of the World, c. 1460–65, by the Master of the Geneva Boccaccio, Angers. J. Paul Getty Museum, Los Angeles
Spread showing A Byzantine Church and the Lighthouse of Alexandria in The Book of Felicity, c. 1582, Istanbul. Morgan Library & Museum. Photo: Carmen González Fraile
Illustration of China from Mirror of History, c. 1475, by Vincent of Beauvais, Ghent. J. Paul Getty Museum, Los Angeles
Illustration by Johann Bämler to Book 8 (On Wondrous People), 1475, in The Book of Nature by Konrad von Megenberg, Augsburg. Morgan Library & Museum. Photo: Carmen González Fraile