The US is withdrawing from UNESCO (again) at the end of 2018. Has this international body outlived its usefulness?
The V&A has launched a new declaration on the reproduction of art and heritage in a digital age
The US is planning to eliminate 'like-kind' exchanges for artworks, a key tax deferral tool for the art trade
Should the French government be launching a heritage lottery fund when the UK version is in decline?
Following a flurry of closures, is the future bleak for small galleries – or might new initiatives serve to rejuvenate them
Christie’s pulled out all the stops for the sale of 'Salvator Mundi' – and its efforts have more than paid off
The discovery of a hidden painting highlights that very few depictions of the queen date from during her lifetime
The organisation's new director general must find a way to promote diplomacy following the US's withdrawal
It is difficult to overstate the importance of Nochlin's scholarship for subsequent generations of art historians
Can Art Detective's crowd-sourced connoisseurship shed light on the history of mysterious paintings?
Commercial interests and public institutions are inextricably entangled
Conservationists and connoisseurs needn’t be on opposing sides when discussing ivory
Kehinde Wiley and Amy Sherald have won the commissions to paint the former U.S. president and first lady
The news that Leonardo da Vinci's 'Salvator Mundi' is to be auctioned at Christie's has caused quite a stir. Why is his work so important to people?
Will a grant of €400 million euros bring the phenomenal Prussian royal collections to wider attention?
The sensitive juxtaposition of old and new could revive some of the site’s more neglected artefacts
Will the new Colosseum archaeological park improve the upkeep of Rome's most important ruins?
Artists and urban planners are finding creative ways to brighten up the concrete blocks and barriers that pepper today's urban spaces
The design for Millicent Fawcett's statue breaks the mould, but Parliament Square is a problematic site
It's time for leading cultural figures to work with the state to reform Irish heritage protection
Sound art often seems like video art's poor relation in museums, but is its struggle for status starting to pay off?
Zeitz MOCAA, South Africa's new museum, is deliberately outward-looking
The closure of an entire unit, specialising in the policing of a complex but valuable part of our national economy, must be wrong
When treasures wash up on the banks of the River Thames, London’s mudlarkers are ready to find them
Why it’s time to talk seriously about digital reproductions
The V&A has launched a new declaration on the reproduction of art and heritage in a digital age
What will Trump’s tax reforms mean for the art market?
The US is planning to eliminate 'like-kind' exchanges for artworks, a key tax deferral tool for the art trade
Why Macron shouldn’t gamble on a heritage lottery fund
Should the French government be launching a heritage lottery fund when the UK version is in decline?
Should we be worried about the future of small galleries?
Following a flurry of closures, is the future bleak for small galleries – or might new initiatives serve to rejuvenate them
The sale of ‘the last Leonardo’ is a triumph for the dark art of marketing
Christie’s pulled out all the stops for the sale of 'Salvator Mundi' – and its efforts have more than paid off
Why are there so few portraits of Mary, Queen of Scots?
The discovery of a hidden painting highlights that very few depictions of the queen date from during her lifetime
What next for UNESCO?
The organisation's new director general must find a way to promote diplomacy following the US's withdrawal
A tribute to Linda Nochlin (1931–2017)
It is difficult to overstate the importance of Nochlin's scholarship for subsequent generations of art historians
Solving art’s mysteries online
Can Art Detective's crowd-sourced connoisseurship shed light on the history of mysterious paintings?
Contemporary art museums can’t avoid conflicts of interest – but we need to trust their directors
Commercial interests and public institutions are inextricably entangled
It’s time to talk about the ivory trade
Conservationists and connoisseurs needn’t be on opposing sides when discussing ivory
How paintings of the Obamas will shake up American portraiture
Kehinde Wiley and Amy Sherald have won the commissions to paint the former U.S. president and first lady
What’s behind Leonardo’s unique allure?
The news that Leonardo da Vinci's 'Salvator Mundi' is to be auctioned at Christie's has caused quite a stir. Why is his work so important to people?
Preserving Prussia’s royal palaces
Will a grant of €400 million euros bring the phenomenal Prussian royal collections to wider attention?
What can contemporary artists do for the ruins of Pompeii?
The sensitive juxtaposition of old and new could revive some of the site’s more neglected artefacts
Will the reform of Rome’s ruins be an improvement?
Will the new Colosseum archaeological park improve the upkeep of Rome's most important ruins?
The art of anti-terrorism
Artists and urban planners are finding creative ways to brighten up the concrete blocks and barriers that pepper today's urban spaces
‘Millicent Fawcett and Gillian Wearing are a winning combination’
The design for Millicent Fawcett's statue breaks the mould, but Parliament Square is a problematic site
The Yeats Collection sale is only the latest sign of Ireland’s broken heritage export system
It's time for leading cultural figures to work with the state to reform Irish heritage protection
Is sound art getting a fair hearing in museums?
Sound art often seems like video art's poor relation in museums, but is its struggle for status starting to pay off?
‘Internationalism is Zeitz MOCAA’s defining ethos’
Zeitz MOCAA, South Africa's new museum, is deliberately outward-looking
Bring back the Met’s art and antiquities squad
The closure of an entire unit, specialising in the policing of a complex but valuable part of our national economy, must be wrong
‘The river’s debris is my pleasure and obsession’
When treasures wash up on the banks of the River Thames, London’s mudlarkers are ready to find them