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The Whitney Museum of American Art is moving downtown. Apollo was granted a sneak peek at the new Renzo Piano-designed home for American art

Installation art is assumed to be inherently more engaging than other genres – so why are visitors so often left to watch from the wings?

Are steel balloons the new tulip paintings?

Royal Museums Greenwich’s acquisition of George Stubbs’ Kangaroo and Dingo paintings is the most significant in their history. What’s next for the works?

Wherever tradition clashes with the public interest, there lies the satirist’s pen. Little wonder that cartoonists periodically target museums

3D printing is frequently in the news, and increasingly on public display. Have artists woken up to its potential?

Is the huge cache of art discovered recently in Cornelius Gurlitt’s Munich flat in safe hands?

Judy Chicago is one of the pioneers of feminist art. In London last month, she found time to answer a few questions about her work

Why the retrospectives to Eileen Gray (IMMA, Dublin) and William Scott (Ulster Museum, Belfast) shouldn’t dwell on their Irish roots

The Turner Prize invites interaction from its audience in Derry. Of the four nominees, it’s Laure Prouvost who really gets you thinking

What is the relationship between art and the market? And is an artist such as Banksy really better out than in?

Shoreditch’s EB&Flow gallery has changed its name to BERLONI and relocated to Fitzrovia, where the grass is literally greener…

Apollo is pleased to announce the launch of Agenda – an online guide to current events and exhibitions across the globe

Rachel Whiteread’s ‘House’ was unveiled 20 years ago today. It stood for barely three months, but its influence endures

Sir Anthony Caro was among the giants of modernism. We can be certain that his influence will be felt for decades to come

Apollo is deeply saddened to hear of the loss of Sir Anthony Caro, the influential British sculptor who died yesterday at the age of 89