Reviews
Citizen Guillaume – the painter whose fortunes followed the French Revolution’s
The story of a painter who has been forgotten for nearly 200 years reflects the hopes and failures of the times he lived through
Augustus the Strong’s weakness for luxury
The despotic ruler of Saxony and Poland was rubbish at war, but he had absolutely fabulous taste in art
The gardens that had to make way for London’s growth
Todd Longstaffe-Gowan’s exhibition about the capital’s lost green spaces yields a rich crop of curiosities
The Sienese painters who sparked a revolution in European art
The innovations of artists in the first half of the 14th century created new pathways for painting for centuries to come
What the shape of things to come used to look like
Glenn Adamson’s new book shows that predictions about the future have always spoken volumes about the present
Pierre Bonnard’s world of interiors
The painter’s vibrant domestic scenes are full of revealing details – and so is Isabelle Cahn’s weighty new biography of the painter
The art of crossing continents – ‘Silk Roads’ at the British Museum, reviewed
An exhibition about the civilisations that could be found along the trade route connects cultures at every turn, writes Sameer Rahim
How Egon Schiele saw the world
In his paintings of landscapes and townscapes, the artist created scenes that are as psychologically complex as his portraits
The manly art of Gustave Caillebotte
The French painter was unusual among his Impressionist peers for preferring to depict men at work and at play
Dominique White plumbs the depths of history
An exhibition of work by the winner of the Max Mara Art Prize hints at the horror of the transatlantic slave trade
A fitting tribute to Dior
An imaginative exhibition in The Hague stresses how much the fashion house still owes to its founder
On Kawara, serial dater
Best known for the thousands of works in his ‘Date Paintings’ series, the Japanese artist has never been more of an enigma, as a pair of shows in London and Paris reveal
Lucy McKenzie gets to grips with reality
In a major new exhibition, the artist has created a world in miniature, full of panoramic views, trompe l’oeil murals and imitations of everyday life
Mark Bradford keeps on testing the limits of painting
In a show at the Hamburger Bahnhof in Berlin, the American artist keeps pushing at the boundaries of abstract art
The ghoulish genius of James Ensor
The painter is usually regarded as an eccentric one-off, but an anniversary season in Antwerp places him firmly among the European avant-garde
The Maori artist remapping New Zealand’s landscape
Cora-Allan revives traditional techniques and materials in her thoughtful meditations on the myths and history of her home country
When London had a much richer interior life
A new book by Steven Brindle lovingly catalogues the lavish interiors that could once be found in London’s grandest houses but are now lost
The animal instincts of Jacopo Bassano
In his striking pastoral and biblical scenes, the 16th-century Venetian painter turned beasts into sensitive protagonists
Cutting and pasting through the ages
A new history of collage around the world is at its best when revaluing the work of women, writes Samuel Reilly
The intensely felt art of Elisabeth Frink
From her early associations with the ‘Geometry of Fear’ school of sculpture, Frink went on to evoke any number of strong emotions
Style and substance – in defence of trompe l’oeil
The genre has often been seen as shallow, but the best examples display philosophical depth as well as technical flair
Street cred – Peter Doig gets urban at Gagosian
The painter has curated a show of street scenes, by the likes of Balthus and Bacon, which suggests that the city is an isolated place
The art nouveau offshoot that transformed Munich
Young artists and designers turned the city into a hive of creativity in the late 19th century – and their spirit can still be felt today
The Catholic nun who believed in protest art
A show of photographs and Pop art-inspired prints by Corita Kent displays the artist’s fun side but plays down her political fervour
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The problem with portraits