His 'white writing' style helped shape the course of modern painting, so why isn't Mark Tobey better known?
She was well known in the surrealist circles of the 20th century, but Vézelay's work has been all but forgotten since
An exhibition of Les Nabis at the Mitsubishi Ichigokan Museum in Tokyo explores their interest in the art of the Far East
An ambitious exhibition at the National Gallery traces the productive overlaps between these two Renaissance masters
Paolozzi's 1950s work is astonishing, but a full retrospective draws too much attention to his duller later work
An exhibition documenting Picasso's obsession with minotaurs and matadors is a curatorial triumph
An exhibition at the Fitzwilliam Museum reveals how the home in Renaissance Italy was the site of much private devotion
This event is a must-see if you want your understanding of Piero Manzoni and the other featured artists turned on its head
Some royal tastemakers have better taste than others – as the remarkable legacy of three Hanoverian princesses shows
The American artist reminds viewers that black subjects are seldom encountered in the museum
New galleries mean a fresh start for the New-York Historical Society Museum and Library
The painter's reams of autobiographical writing are as idiosyncratic as his art
The Photographers’ Gallery hosts the first major London exhibition of Roger Mayne’s work since 1999
This overdue survey gives some sense of Pissarro's extraordinary range
The artist's meditative new film reveals how, in the midst of cyclical violence, objects and humans continue to drift
Context is as crucial to this exhibition as the art itself. Tate strikes a tricky balance between the two
The Holburne Museum reminds us that this entire family is worth celebrating – not just Pieter Bruegel the Elder
Dana Schutz's controversial painting of Emmett Till has dominated the headlines, at the expense of other interesting contributions
It's hard to separate Vanessa Bell from Bloomsbury, but this exhibition of her art is long overdue
On the southern coast of France, a new exhibition is exploring our troubled relationship with the world's oceans
How the American artists of the 1930s depicted a country that was on its knees
This is no country jumble of brown pots. The latest show at Messum's Wiltshire is a reminder of a great, evolving national tradition
'People Power: Fighting for Peace' at the IWM London is a bold exhibition that uses individual stories to humanise major global issues
William Hogarth's paintings are nowhere near as 'Hogarthian' as his scathing, scurrilous prints
