Homages to plaster casts and Portland stone; Chris Burden's wonderful final work; plus, 'has David Hockney been at the ketamine?'
Words and writing were as much a part of Basquiat's art as his visual imagery
Reynolds may have fallen out of fashion, but a recent conference suggests there's more to his works than meets the eye
Barbara Hepworth once called plaster 'a dead material'. She was wrong
Palmer's project for Artangel looks at the negative space left by some of the world's great monuments
Hockney's psychedelic new creations at Annely Juda; Thomas Struth's exceptional photographs at Marian Goodman; and Andre Kertesz at James Hyman
The hidden David Parr House in Cambridge; the Waddesdon Bequest; and the verdict from Venice
What have the Baltic nations contributed to the Venice Biennale?
A joyless preference for the verbal over the visual at the Venice Biennale
Clough excelled at making art from the ugly and the overlooked
Visiting Venice? Don't miss these shows
Is this remarkable house Cambridge's best kept secret?
Yale institutions launch a Critique of Reason; a 'fake' in the Dulwich Picture Gallery; and a preview of Spring Masters New York
Sugar, starch and a menagerie of animals: the marriage banquet of Maria de’ Medici and Henri IV of France was a sight to behold
Enlightenment and Romantic artists had more in common than you think
Supersymmetry dazzles in the Vinyl Factory; Lawrence Lek empties the Royal Academy; and a horrible vision in Hammersmith
Our pick of the Venice Biennale; highlights from the Pompidou pop-up in Málaga; and the Jewish Museum's celebration of TV
Artists in London respond to the situation in Ukraine
It's hard to take luxury exhibitions very seriously
Some high-profile works have made it to Málaga to inaugurate the Pompidou's latest venue
Inside the new Whitney; great, gaudy gothic at Strawberry Hill; how Poussin found God; Carol Bove's optional conceptualism; Digby Warde-Aldam tours London
Modern and contemporary works steal the show this year
Context is everything: and without it, her work looks a lot like design
The ability to paint a good orgy, as Poussin certainly could, never made a religious painter irreligious
