On Kawara is famous for his date paintings, but he had other ways of marking and thinking about time
Recent exhibition reviews and previews; from sultans, to Sturtevant, to salted paper prints...
Last chance to visit New York's exhibition of conceptual copycat art
Great art, thoughtful curation and a snazzy café: Manchester's £15 million redevelopment project is a great success
Golding's rediscovered abstract paintings are the perfect choice to inaugurate Piano Nobile's new space
From teaware to taxidermy: the Barbican's exhibition is a fascinating insight into artists' collecting habits
Jacob Epstein's babies, revolutionary calendars, Madame Cézanne, and a suitcase full of pictures
Lore Krüger's work is a fantastic discovery for the history of photography
Masterpieces from New York's Frick Collection travel to The Hague
No pairing of artist and muse was more complicated, ambivalent, or more richly productive
Sophie Hill celebrates the postcard in a series of pop-up displays of pocket-sized art
London's Dominique Lévy Gallery looks again at the 20th-century trend
Is the artist’s latest show anything more than a charming tribute to a failed experiment?
A candid look at the artist's portraits of his children
Bonalumi was a pivotal figure in post-war Italian abstraction; finally he's getting the attention he deserves
Fifty exhibitions in as many weeks; this revival of the 'fig-1' project from 15 years ago is a surprising success
Christian Marclay at White Cube; 'Self' at Turner Contemporary; Piero di Cosimo at the NGA Washington; Jeremy Gardiner at Victoria Art Gallery
The most striking of these works are the ones that resist the temptation to represent, that refuse to be too literal about the littoral
Tuymans made his thoughts about Belgian copyright law known at his exhibition opening last week
It's tempting to focus on the big loans, but the star of this particular show was in Washington all along
Female artists are well represented in this show; a deliberate strategy that prompts a more critical questioning of the genre
'Surround Sounds' is excellent, but not all of Marclay's latest work lives up to the hype
Flesh and sex – the legacies of Rubens and Sade; two views of the 20th century's torn and tattered art; and the story of Lancashire's philanthropic industrialists
Lancashire collections in London
