How have artists used mannequins and dolls to manipulate their audiences?
Freud's lusty figurines; Hogarth's lewd Londoners; Serra's monumental sculptures and Anaïs Tondeur's scientific mysteries
Tondeur's work is rigorously scientific, but that doesn't blunt its emotional impact
If Victorian London belongs to Dickens, the Georgian city is Hogarth’s
The complexity and integrity of Serra's monumental work is mind-blowing
Perhaps unsurprisingly, Freud's collection of antiquities is not for the easily abashed
It's been a long and controversial refurbishment. Has it all been worth it?
Despite Gehry's dislike of the term, his building is a spectacle, as is the art
Music, dancing robots, 19th-century algorithms: Shawcross's latest project was ambitious, but was it worth it?
Pierre Huyghe's stange and beautiful work; Jane and Louise Wilson's 'Undead Sun'; and Schiele's uneasy nudes
Nothing stirs the anxieties of Western civilisation like the unnaturally powerful female...
Huyghe's notoriously uncategorisable works are both strange and beautiful
An 18th-century architect's house is a strange place for a law firm to show off some modern prints...but it works
Undead Sun explores the First World War’s nascent mechanics of propaganda, aerial warfare and camouflage
In Schiele’s vision, to observe, or to have a body is to have a difficulty
The museum showcases some of its finest works in 'The Art of Our Time'
Monteleone focuses on an apparently shiny, happy new reality...Yet the Italian photographer is playing a sophisticated game
From Brueghel and Rembrandt to Rego and Steve McQueen
Playful and daring, Rego's pastels and watercolours are a surprise
We're fond of the Brueghels because they are rooted in their own time; so it's odd that this 'conversation' works
Self-scrutiny, experimentation, intimacy and contemplation characterise the master’s final years
McQueen's elegiac new work asks how we can memorialise a life
The modernist designs at the V&A have an air of optimism about them, but we all know how the story ends
