Reviews

It was an interesting broadcast, but Tate’s tour around its Matisse show gained little from being ‘live’

Baccio Bandinelli is arguably the least loved major artist of the Renaissance. This is the ideal opportunity to reconsider his achievement

Richard Long continues to tread his own well-worn path, with a few ill-advised Romantic detours, in his latest London show

Phyllida Barlow’s drawings are every bit as good as her sculptures

Piet Mondrian’s path to abstraction was a colourful one

A round-up of the week’s reviews and interviews

Immersive performance art and the Royal Academy Summer Exhibition? Surprisingly, it works…

Rothko’s works have popped up at auction, in Pace gallery and, later this year, at the Harvard Art Museums

Housed in an old Nazi bunker, the Boros Collection makes a feature of its hard-won gallery spaces

The Prix Pictet is a prize for art with an argument, and this year’s shortlist is as strong as ever

A round-up of the week’s reviews

‘Martyrs’ is a beautiful series of videos, but it’s overshadowed by Wren’s magnificent architecture

Time stops in Ben Johnson’s intricate paintings of empty architectural interiors

Larrain’s powerful work hasn’t been on display in his home country since the 1960s

Interest in maritime art ebbs and flows, but it seems that we have hit a new wave

‘Oceans’ is a sophisticated response to a multitudinous, powerful subject

The ICA’s Reading Room was put to good use recently with an exhibition of creative scrapbooks

The Kabakovs’ ‘Strange City’ at the Grand Palais isn’t completely alien

Ostrowski insists that he is a ‘romantic’ painter…But here, all of the emotion is drained out

The works in this exhibition are a welcome antidote to the punctured Fontanas flooding the market

A round-up of the week’s reviews, including Rodin, John Piper, Yinka Shonibare and Joanna Hogg