The charm and whimsy of 'British Folk Art' at Tate Britain isn't at the expense of rigorous analysis
Plus ça change, plus c’est la même chose... the Jewish Museum revisits its seminal 1966 exhibition of minimalist sculpture, again
A round-up of recent reviews from The Muse Room
The reopening of Farnborough's flight testing centre is one of the most unusual and remarkable art projects in recent years
Taken on their own, Varejão's drawings lack the sinister, seductive appeal of her other work
It won't pull in the crowds, but this niche exhibition rewards those who do visit
The Metropolitan Museum celebrates what is arguably England's most lyrical and seductive contribution to the fine arts in this focused show
Bill Woodrow and Richard Deacon's collaborative glass sculptures are interestingly out of place in the Wiltshire countryside
A round-up of the week's reviews
It was an interesting broadcast, but Tate's tour around its Matisse show gained little from being 'live'
Baccio Bandinelli is arguably the least loved major artist of the Renaissance. This is the ideal opportunity to reconsider his achievement
Richard Long continues to tread his own well-worn path, with a few ill-advised Romantic detours, in his latest London show
Phyllida Barlow's drawings are every bit as good as her sculptures
Piet Mondrian's path to abstraction was a colourful one
A round-up of the week's reviews and interviews
Immersive performance art and the Royal Academy Summer Exhibition? Surprisingly, it works...
Rothko's works have popped up at auction, in Pace gallery and, later this year, at the Harvard Art Museums
Housed in an old Nazi bunker, the Boros Collection makes a feature of its hard-won gallery spaces
The Prix Pictet is a prize for art with an argument, and this year's shortlist is as strong as ever
A new installation mythologises Van Gogh's old apartment in London: but such properties are often disappointing
'Martyrs' is a beautiful series of videos, but it's overshadowed by Wren's magnificent architecture
Time stops in Ben Johnson's intricate paintings of empty architectural interiors
Larrain's powerful work hasn't been on display in his home country since the 1960s
