This exhibition of works by Gustave Caillebotte started out at the Musée d’Orsay last year, on the back of the museum’s acquisition of his painting Boating Party (1878) (25 February–25 May). It is now transferring to the Getty, which has also recently got hold of a Caillebotte – Young Man at His Window (1876). The artist’s depictions of men – friends, family, fellow artists, labourers, soldiers, boatsmen, bystanders on the street, himself – are the subject of this show, which stresses Caillebotte’s originality as an artist – not just because he frequently painted men but also because his work does not fall neatly into any one category. Caillebotte was nominally an Impressionist, being a contemporary of the group (many of whose works he collected) and exhibiting in the second Impressionist exhibition of 1876, but his work is in some ways closer to that of Courbet and Millet than it is to nearer contemporaries such as Morisot or Monet, both in terms of style and subject matter.
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Boating Party (c. 1877–78), Gustave Caillebotte. Photo: Sophie Crépy; Musée d’Orsay, dist. RMN-Grand Palais
Young Man at His Window (1876), Gustave Caillebotte. Courtesy J. Paul Getty Museum, Los Angeles
Floor Scrapers (1875), Gustave Caillebotte. Musée d’Orsay, Paris. Photo: Patrice Schmidt; © musée d’Orsay, dist. RMN-Grand Palais
Boulevard Seen from Above (1880), Gustave Caillebotte. Private collection. Photo: © Comité Caillebotte, Paris