Rachel Ruysch | What museums think about climate protests | Apollo Awards 2024
Japanese art at the MFA Boston | Christian Marclay | collecting haute couture
Liliane Lijn | Picasso | Mughal painting | Impressionism
Jan Švankmajer | Pompeii | Cat ladies
Museum of West African Art | Jeremy Frey | Ed Ruscha
Napoleon Bonaparte | Caspar David Friedrich | the Impressionists
The National Gallery | Alvaro Barrington | Art and the oil industry
Immersive art | Keith Haring | Venice Biennale
Willem de Kooning | Angelica Kauffman | Laure Prouvost
Julie Mehretu | Indian miniature painting | Italian museums
Vincent Van Gogh | Agnès Varda | BRAFA
The Kennel Club | Marisol | Renaissance woman
Imperial War Museum | Textiles | Tashkent
Franz Hals | Sophie Calle | Dodgy donors
Michelangelo | Musée des Arts Décoratifs | Sarah Lucas
National Portrait Gallery | Ellsworth Kelly | Casa Balla in Rome
Video art | Richard Avedon | Ragnar Kjartansson
Roy Lichtenstein | Jaune Quick-to-See Smith | Walter Hopps
Hilma af Klint | Canova | Vermeer
Craft | Picasso | The Belvedere
Christopher Wren | Zineb Sedira | Bibliothèque nationale
Mike Nelson | Rubens | Lucian Freud
Proud Mary | Henry Fuseli | The Fitzwilliam Museum
Peanuts | Tutankhamun’s tomb | William Kentridge
![Masterpiece [Re]discovery 2022. Photo: Ben Fisher Photography, courtesy of Masterpiece London](http://zephr.apollo-magazine.com/wp-content/uploads/2022/07/MPL2022_4263.jpg)
What happens when an artist wants to be anonymous?