Past Issue
April 2024
In this issue
Who’s afraid of immersive art?
Why everyone loves Keith Haring
Counting the cost of the Venice Biennale
The Dutch artists who were drawn to Rome
Plus: how to eat beans in the baroque style, an interview with Kapwani Kiwanga, the daring experiments of Yoko Ono, the restless spirit of Sonia Delaunay, and a monumental survey of British architecture between the wars
Past issues
March 2025
How to give back looted objects | An interview with Alex Da Corte | Versailles enters the 21st century
February 2025
Can American art escape the culture wars? | Poking fun at 18th-century Paris | Donald Duck’s fowl play
January 2025
The art of divination | an interview with Jake Grewal | will the market recover in 2025?
December 2024
Rachel Ruysch | What museums think about climate protests | Apollo Awards 2024
More from Apollo
The painter who poked fun at 18th-century Paris
The painter who poked fun at 18th-century ParisWorking in the new medium of pastels, Maurice-Quentin de La Tour portrayed the elites of his day in a style to suit the hedonism of the age
The Sienese painters who sparked a revolution in European art
The innovations of artists in the first half of the 14th century created new pathways for painting for centuries to come
The uneasy business of being an American artist
Rachel Cohen talks to Apollo about the reissue of ‘A Chance Meeting’, her inventive account of more than a century of artistic endeavour in the United States
What would Jane Austen say?
Nothing gets a certain type of viewer more hot under the cravat than anachronisms in period drama – but the best inaccuracies are artistically liberating