The Making of a Master
This show explores Constable’s influences and techniques, reuniting masterpieces with oil sketches. Works such as Study of cirrus clouds (c. 1821–22), are presented alongside classical landscapes by the 17th-century masters Constable studied.
Curator Mark Evans and assistant curator Ana Debenedetti told us more.
Enter our book competition before 26 September for a chance to win the catalogue.
Seeing London through Frank Auerbach’s eyes