Christian Boltanski’s installation at the Museo per la Memoria di Ustica is a stark tribute to the victims of a plane crash of 1980
An insider account by a former head of Sotheby’s in the UK recounts how London’s post-war art market took off in the 1950s and has kept on reinventing itself
As his 24-hour film The Clock returns to MoMA, Christian Marclay talks about working with sound and images – and bridging the divide between the two artistic worlds
As Diwali continues in full swing, it’s the perfect time to explore four objects that capture several elements of the festival and its mythology
The American modernist’s buildings are often easier to admire than love, but his critical stock is undoubtedly on the up again
Given Hitler’s unrealised plans for a museum of looted art in Linz, the futuristic Ars Electronica festival is a triumph for the city, but there’s no room for complacence
From explosions of chintz to thrusting postmodern architecture, the sets for Jilly Cooper’s bonkbuster leave us in no doubt we’re watching a 1980s period drama
The AI-powered humanoid robot talks Apollo through her studio routine, which involves listening to Chopin and pondering the strangeness of her own existence
When working in her suntrap of a studio in Rome, the artist enjoys people-watching, listening to jazz and admiring an antique manhole cover made of travertine
• New Japanese galleries at the MFA Boston
• Are prints the next big thing?
• What makes Christian Marclay tick?
• Chicago’s answer to William Morris
Also: collecting haute couture, marvellous pre-Ming ceramics, and a preview of Asian Art in London; and reviews of Surrealism at the Pompidou, lost London interiors and a new life of Mies van der Rohe. Plus: Lucy Ellmann on a troubling trompe l’oeil painting of a cat behind bars
The ideas and images of the artists who unleashed their unconscious on the world a century ago are now part of the fabric of everyday life
For its 27th edition, the fair is setting up shop in the galleries of London’s auction houses and welcoming a number of new exhibitors
To coincide with United Nations Day, we look at four artworks and objects designed to promote harmony or tranquillity
The Museum of West African Art points to a new path for creating an institution from scratch and more imaginative ways of dealing with the colonial past
A stimulating show at Alison Jacques perfectly captures the sculptor’s ability to combine familiar materials in unexpected ways
The first champagne house ever to be established, Maison Ruinart has a new, art-filled home – one that maintains a harmonious relationship between heritage and modernity
Cedric Morris and Arthur Lett-Haines turned their backs on the London art world to create an art school with an outsize legacy
It suits us to think of the movement as unpopular, but the passing of time makes it harder to see why the first Impressionist Exhibition of 1874 made such a stir
The museum is set to close in 2025, leaving a hole in the city’s arts scene and adding to growing disquiet about its general direction
Berthe Weill was as devoted to young artists as she was to the cause of modern art – and her efforts are now receiving belated recognition
When it comes to conjuring the uncanny atmosphere and impossible logic of dreams, the Czech film-maker has few equals
The idealistic German artist channelled her considerable political energies into art both before and after the First World War
The ease of making screenprints after the Second World War stirred the imaginations of artists as varied as Lucio Fontana and Althea McNish
The Royal Academy of Arts offers viewers the chance to compare the three Renaissance rivals and contemporaries
The Thracians were rarely regional top dogs but, as a show at the Getty Villa proves, their artistry was unparallelled
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