Lillian Crawford is a writer and critic. She writes about neurodiversity in culture and curates relaxed events for neurodivergent audiences at venues including the BFI and the Barbican.
Immersive and interactive exhibitions can be uncomfortable for neurodivergent visitors, but if galleries made more of an effort, everyone would benefit
This episode explores an ancient funeral stele, Marie Antoinette’s breast bowl, and how digital technologies are helping to preserve Egyptian heritage sites
![Masterpiece [Re]discovery 2022. Photo: Ben Fisher Photography, courtesy of Masterpiece London](http://zephr.apollo-magazine.com/wp-content/uploads/2022/07/MPL2022_4263.jpg)
Museums should do more to cater for autistic people
Immersive and interactive exhibitions can be uncomfortable for neurodivergent visitors, but if galleries made more of an effort, everyone would benefit