The feuding artists who shaped art after the Russian Revolution
The story of Kazimir Malevich and Vladimir Tatlin’s competing artistic outlooks is told with verve in Sjeng Scheijen’s new book
‘Sydney Modern must be given time to evolve’
The Art Gallery of New South Wales’s extension is too populist and commercially minded for some – but it is full of possibilities
Ukrainian modernism deserves to be understood on its own terms
The artists of Ukrainian modernism have often been miscategorised as Russian, but an exhibition of avant-garde art seeks to redress the balance
The Russian modernist who made the European avant-garde feel at home
Marianne Werefkin has long been overshadowed by her male peers, but the Royal Academy’s show devoted to modernist women may restore her to her rightful place
Dostoevsky’s distrust of the West ran deep – but so did his love of the Old Masters
The novelist revered Raphael’s Sistine Madonna – and Holbein’s Dead Christ almost induced an epileptic fit
The merchant from Moscow who fell for the Parisian avant-garde
Ivan Morozov built one of the greatest modern art collections in the world – but only a century after his death is his legacy being recognised
Russian spark – the palace builders of St Petersburg
A ritzy new book brings to life the eclectic tastes and unbridled opulence of aristocratic families in late imperial Russia
The revolutionary collector who changed the course of Russian art
How Sergei Shchukin brought paintings by the most trailblazing members of the French avant-garde to Russia
The Russian portraits at the NPG are a revelation
Russia’s 19th-century portraitists were more than a match for the exceptional writers and composers they painted. So why is their work so neglected?
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Are the art market’s problems being blown out of proportion?