Born in Venice in 1900, Bice Lazzari studied music before training as an artist. Her early paintings were figurative landscapes – but she was advised to pursue a career as a designer. From the late 1920s she began to create increasingly abstract, geometric compositions, collaborating closely with architects and decorators. After the Second World War, Lazzari devoted herself to painting, drawing on the techniques of Art Informel, and taking inspiration from decorative arts and music, to create a body of spare, gestural works in later life that have led her to be described as the ‘Agnes Martin of Italy’. This display at the Estorick Collection in London (14 January–24 April) brings together 40 works from across her long career. Find out more from the Estorick’s website.
Preview below | View Apollo’s Art Diary here
Bice Lazzari (1957), Alfredo Libero Ferretti
Abstraction of a Line No. 2 (1925), Bice Lazzari. Private collection, Rome
Blue Architecture (1955), Bice Lazzari. Private collection, Rome
Acrylic No. 5 (1975), Bice Lazzari. Archivio Bice Lazzari, Rome
White and Black (1954), Bice Lazzari. Private collection
Unlimited access from just $16 every 3 months
Subscribe to get unlimited and exclusive access to the top art stories, interviews and exhibition reviews.
![Masterpiece [Re]discovery 2022. Photo: Ben Fisher Photography, courtesy of Masterpiece London](http://zephr.apollo-magazine.com/wp-content/uploads/2022/07/MPL2022_4263.jpg)
Are the art market’s problems being blown out of proportion?