In the early 1960s, the art dealers and publishers Marguerite and Aimé Maeght chose a pine-forested hill overlooking Saint-Paul de Vence in the south of France to build a home for their collection. The Fondation Maeght opened in July 1964, giving the public the opportunity to see works by artists including Braque, Chagall, Giacometti and Miró. To mark its 60th anniversary, the Fondation Maeght has opened an extension containing a suite of new galleries and is mounting a major exhibition, ‘Bonnard-Matisse, a friendship’ (until 6 October). The relationship of the Maeghts with the two artists, as well as that between Bonnard and Matisse, is explored through loans and works from the collection. The exhibition offers plenty of opportunities to compare the artists’ treatment of similar subjects: the exuberant froth of Bonnard’s Almond Tree in Flower (1946) versus Matisse’s starkly graphic The Bush (1951), for instance, and their approaches to self-portraiture, the female nude and graphic design.
Find out more from the Fondation Maeght’s website.
Preview below | View Apollo’s Art Diary
Young woman with vase of flowers (c. 1920), Henri Matisse. Musée de l’Orangerie, Paris. Photo: Benoît Touchard; RMN Grand Palais (Musée de L’Orangerie); © Succession H. Matisse
Almond Tree in Flower (1946) Pierre Bonnard. Centre Pompidou – Musée Nationale d’Art Moderne, Paris. Photo: © Centre Pompidou, MNAM-CCI/Dist. RMN-Grand Palais
Dance movement (1945), Henri Matisse. Private collection. Photo: Jean-Louis Losi; courtesy Dina Vierny, Paris; © Succession H. Matisse
Unlimited access from just $16 every 3 months
Subscribe to get unlimited and exclusive access to the top art stories, interviews and exhibition reviews.
![Masterpiece [Re]discovery 2022. Photo: Ben Fisher Photography, courtesy of Masterpiece London](http://zephr.apollo-magazine.com/wp-content/uploads/2022/07/MPL2022_4263.jpg)
Are the art market’s problems being blown out of proportion?