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The Week’s Muse: 28 February
View Festival of Art History; the Christie’s purchase of Collectrium; Mark Scala on Telling Tales
What does the Christie’s purchase of Collectrium mean for art tech?
And will traditional art industry divides persist online?
London Diary: 22 February
Digby Warde-Aldam explores what London has to offer, from contemporary abstract painting to Sargent’s most disquieting portraits
The Week’s Muse: 21 February
London’s love of Victorian art; Gavin Stamp on the Garden Bridge; Matilda Bathurst reports from the Whitworth Art Gallery
The Week’s Muse: 14 February
Hiroshi Sugimoto on fossils and photos; In praise of postcards; The unlikely success of Fig-2; Five highlights from the Wadsworth; Tàpies in focus
Five favourites from the Wadsworth Atheneum’s new galleries
Curator Patricia Hickson selects some personal highlights
The Week’s Muse: 7 February
Previews from the new February issue: Is the golden age of art schools over? What can be done to protect cultural property in war zones? Does art still have a sense of mystery?
Comings and goings: Paolozzi and public art
It’s not just Paolozzi’s mosaics that have come under threat in recent years. Is it time for a public catalogue of such items?
Editor’s Letter: The Art of Mystery
Though it may not be fashionable to say so, a feeling for mystery should be integral to how we look at art
Fitzwilliam Museum attributes two bronzes to Michelangelo
David Ekserdjian discusses the recent announcement
The Week’s Muse: 31 January
From biplanes to drones, we look at the impact of the aerial viewpoint on modern and contemporary art. Plus, our round-up of this month’s major acquisitions
Reflecting the network: James Bridle’s recent residency and the rise of drones
Surveilling surveillance…
The Week’s Muse: 24 January
BRAFA opens in Brussels; Theaster Gates wins the Artes Mundi Prize; art and craft at the NGCA
The Week’s Muse: 17 January
Rethinking artists’ copyright; an update from Amphipolis; and Limerick’s year of controversy and culture
Right or wrong? Is it time to rethink copyright legislation?
In the January issue of Apollo, we asked a range of senior figures for their perspectives on copyright now
Shambles to success: Limerick’s year as debut Irish City of Culture
Mike Fitzpatrick salvaged the programme after its disastrous start, but what’s next for the city?
The Week’s Muse: 10 January
Cezanne goes digital; wit in museums; the perils of international museum franchises; and the Estorick’s public appeal
12 Days: Highlights of 2015
Maggi Hambling grapples with war, Jo Baer’s dream-like paintings and a rethinking of classical art
12 Days: Highlights of 2015
Pop art comes under examination in 2015, while Pallant House Gallery reappraises the work of Leon Underwood, David Jones and Walter Sickert
12 Days: Highlights of 2015
2015 is the year to see some exceptional Old Master drawings in the UK
12 Days: Highlights of 2015
The Whitechapel Gallery celebrates abstract art this winter, while a previous exhibitor at the gallery, Sarah Lucas, prepares for Venice
12 Days: Highlights of 2015
Ireland’s outstanding 18th-century decorative arts have been long overlooked, but a new exhibition in Chicago looks set to change that
![Masterpiece [Re]discovery 2022. Photo: Ben Fisher Photography, courtesy of Masterpiece London](http://zephr.apollo-magazine.com/wp-content/uploads/2022/07/MPL2022_4263.jpg)
Women artists get a raw deal in historical collections. Will that ever change?
The imbalance seems historically ingrained. But surely museums could do more to explain it