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Rebecca Morrill discusses her work at the Contemporary Art Society to expand and strengthen public art collections in the North East

MoMA dusts off some treasures in an attempt to prove that there is no ‘problem’ with its American collection

Tate Britain’s ‘Art Under Attack’ fails to address acts of contemporary iconoclasm, such as the destruction of the Chartist Mural in Wales

Several displays of 18th-century art have opened recently. What’s behind the current interest in this elegant era?

The standard of Ireland’s latest clutch of public statues ranges from poor to dreadful

Syrian cultural artefacts are at risk from looting and illicit trade. ICOM’s Red List is one of the measures that might prevent their disappearance

The Whitechapel Gallery celebrates Acme Studios’ avant-garde roots, but is it now just urban ruin-porn for London’s property developers?

The Keeper’s House at the Royal Academy has opened, boasting tasteful dining rooms, a geisha-girl bar and a secret garden…

A new Titian is a rare thing indeed; and it certainly looks good enough to be true

‘Maybe it’s perfectly legitimate that they are here because Bob Dylan painted them…’ Why are musicians so popular with major art galleries?

Curators are not ‘pirates who’ve taken over the ship’ and Waldemar Januszczak should know it

Six shortlisted artists have cooked up their plans for London’s Fourth Plinth

Sketches made at the same time as Sunset at Montmajour (1888) reveal Van Gogh’s struggle to portray the landscape in the right light

TEDxAlbertopolis promised to dispel the myth that science and art are divided. They clearly aren’t and arguably never have been

A new set of interactive digital displays has been unveiled at Tate Modern that seeks to create a ‘digital community within the building’

British Pop art is experiencing something of a resurgence in the UK. What makes it so appealing?