Interviews

Hannah Gregory meets Kader Attia ahead of a major retrospective of his work in Lausanne

The fundraising exhibition and auction has emerged, somewhat paradoxically, as a highlight in the gallery’s programme

The Corning’s new wing dedicated to new developments in glass art and design opens this week

Nearly 50 years ago, Richard Long transformed a simple walk into a radical act. The artist talks to Apollo about mud and mark-making, his new prints, and why he can’t stop walking

It’s now possible to buy exact replications of Van Gogh paintings from the Van Gogh Museum. How are they produced, and why?

Axel Rüger talks to Apollo about the Van Gogh Museum in Amsterdam, an enterprising institution that combines popular appeal with groundbreaking research

Giles Hutchinson Smith on Mallett’s long history, moving to Ely House, and his star exhibits at TEFAF

Michael Beck of Beck & Eggeling discusses the gallery, collecting, and the state of the art market

We spoke to Adélia Sabatini and Joséphine Seblon about the programme

PAMM curator Tobias Ostrander chooses one key painting from the new Tàpies retrospective in Miami

As a survey of Lynda Benglis’s work opens at the Hepworth Wakefield, the artist talks to Imelda Barnard about her 40-year career

As we wait to hear the winner of this year’s prize, director Karen MacKinnon discusses the shortlisted works and what they mean to her

Jorge Coll and Nicolás Cortés celebrate 10 years of Coll & Cortés

In December an audience spilling out of a theatre into a cold night is a familiar sight. Carlo Carrà’s Leaving…

The Crypt Gallery in St Pancras Church is overrun with cosmopolitan chickens. Is it art?

De Jonckheere on the art market, and mixing Old Masters with modern art

‘Cycles of Life’ presents more than 40 exceptional historic rings

To me, Burgert’s paintings are packed with art-historical allusions. But if the artist meant them to sneak in, he won’t admit it

Auckland Castle, the Bowes Museum and Durham University host a major Spanish Art symposium which draws on the region’s own superb collections

Simon Phillips on selling and collecting 18th-century furniture