Reviews
The Frick Collection makes a move into modernism
The Breuer Building makes a minimalist foil for the Frick’s permanent collection – but Eve M. Kahn is rather glad the move is only temporary
The dashing Edwardian poster designer who really cut the mustard
In his heyday John Hassall was known as ‘the Poster King’ and his eyecatching ads could be seen on hoardings all over Britain
In post-war Europe, museums dared to experiment with how they displayed art
Post-war museum design had a political impetus that was public-spirited in nature – even if that meant displaying sculptures on a bed of coal
Entente cordiale: the pally portraitists of 18th-century France
Portraits were used to further friendships – and as networking opportunities – in Enlightenment France
The notional gallery? How art museums turned into public palaces
Two new books offer complementary perspectives – the macro and the micro – on the modern museum
America the grave – ‘Grief and Grievance’ at the New Museum, reviewed
An exhibition examining Black experience in America is powerful if piecemeal – and is necessarily exhausting
Raiders of the lost art – the Gardner heist gets the Netflix treatment
The Gardner Museum heist hasn’t been solved in 30 years – and it’s perfect fodder for a true crime documentary
Hardy boy: the wild landscapes of James Morrison, from Angus to the Arctic
As a new documentary reveals, the Scottish painter braved wind, rain and Arctic ice in search of his ‘rough truth’
Fossil hunting and forbidden love – ‘Ammonite’ reviewed
Francis Lee’s film plays fast and loose with Mary Anning’s life – but at least it digs the great geologist out of historical obscurity
The stonecutter who gave life to letters
Ralph Beyer’s idiosyncratic letter-cutting isn’t to everyone’s taste but there’s no denying its power
The court painters who magnified the princely pleasures of a Rajput dynasty
Paintings from the north-west Indian city of Udaipur present life at court as a royal playground
Art is all about human touch – and right now that’s more disturbing than it sounds
With human contact all but banned, an exhibition about touch was always going to provoke mixed feelings
The Grande Odalisque – a graphic novel that flunks its art heists
A new graphic novel offers a fresh take on the museum heist genre – if you can bear its regressive sexual politics, that is
Made You Look – a true crime doc that should terrify art collectors
The knavery and folly of the rarefied art world are writ large in a documentary that picks over the Knoedler forgery scandal
Does the past look better in black and white?
Photographers and film-makers have long added colour to their images – but does the current craze for colourisation create a false impression of olden times?
The avant-garde artists who sold a vision of the future
A display of interwar posters is a reminder of that utopian moment when artists believed they could invent a new world
The Met’s Old Masters, seen in a new light
European paintings still occupy prime real estate on Fifth Avenue – but a redisplay offers fresh insight into the Met’s hallowed holdings
Vein glorious: an epic history of marble, reviewed
For millennia, marble was taken to be a gleaming reflection of the heavens – and, in Fabio Barry’s new book, it regains its divine mysteries
Of Meissen men – the brittle business of porcelain
An ambitious new book scrutinises the production of ‘white gold’ in Europe – from its early alchemical mysteries to your everyday crockery
With his cryptic clusters of images, Aby Warburg remapped the art of the past
Warburg brought together Greek gods and golfers, antiquities and airships – and in reconstruction, his puzzling arrangements of images are as suggestive as ever
Are Goya’s Black Paintings really the work of a madman?
A new biography of Goya puts paid to the romantic fiction that the Spanish master ended his days isolated and insane
A famously private Roman collection finally gets a public outing
The Torlonia marbles make for the greatest private collection of Roman antiquities in existence – and they’re finally on view to the public
The Dig is a film to treasure
Ralph Fiennes and Carey Mulligan shine in the story of the Sutton Hoo discovery
Dante has stumped many an artist – but these delicate drawings are truly divine
Federico Zuccari’s illustrations of the Divine Comedy have seldom been shown. But the Uffizi has put them online – and Dante’s poem has never looked better
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What happens when an artist wants to be anonymous?