Reviews

'Ties|Legami. Pietro Consagra and Ugo Mulas' at The Italian Cultural Institute

Sculpture in two dimensions

Pietro Consagra made sculptures with the camera in mind, and worked closely with photographer Ugo Mulas

1 Aug 2017

The visual side of Renaissance thought

Susanna Berger’s enquiry into philosophy and visual culture is full of original insight

31 Jul 2017

How Native Americans are reclaiming their history

This book is inevitably partial, but offers the best single account to date of repatriation claims in the US

29 Jul 2017
Adrián Villar Rojas, 'The Theater of Disappearance', National Observatory of Athens, Hill of the Nymphs.

Adrián Villar Rojas digs deep in Athens

The Argentinian artist has planted artefacts, sculptures and a fantastical garden in Athens

28 Jul 2017
A Turkish Woman by a Stream, (c. 1907), John Singer Sargent. Victoria and Albert Museum

Sargent’s great escape from society portraits

Freed from the limitations of his studio, Sargent’s sketches speak of the carefree existence of a gentleman of leisure

27 Jul 2017
Paimio armchair (1930), Alvar Aalto. Alvar Aalton Museum; photo: © Victoria and Albert Museum

Plywood: the V&A has nailed it

This thrilling exhibition reveals the glamour of an everyday material

26 Jul 2017
Two Women Sitting in a Garden (showing Charlotte Epton and Tirzah Garwood in the Brick House garden) (1932), Eric Ravilious. Fry Art Gallery, Saffron Walden

An outbreak of talent in Great Bardfield

Ravilious, Garwood, Bawden, Binyon… Why were so many artists drawn to a village in Essex?

24 Jul 2017
Portrait of a Young Man, (1565–70), Alessandro Allori,

Italian painting takes a bow in northern France

Picardy’s magnificent collections of Italian paintings shine in a series of exhibitions

22 Jul 2017
Emma Hart, 'Mamma Mia', installation view, Whitechapel Gallery

Out of the kitchen and into the gallery

Emma Hart’s installation at the Whitechapel proclaims a feminine aesthetic that reaches far beyond the domestic

21 Jul 2017
33 (2017), Mario Santizo at the Ljubljana Biennial of Graphic Arts. Photo courtesy the author

Collaboration and conversation in Ljubljana

A shared belief in the democratic possibilities of print makes for an optimistic biennial

20 Jul 2017
Temporary Enclosure of Carioca Building Construction Site (1971), Jirō Takamatsu.

The political backdrop to Jirō Takamatsu’s art

The Japanese artist deserves to be better known in Britain, but his playful, political work suffers out of context

19 Jul 2017
Spray (1939), Harold Williamson. © Russell-Cotes Art Gallery & Museum

Scared of the modern?

The British realists of the 1920s and ’30s scrupulously recorded the modern era – but in doing so, they were also avoiding it

17 Jul 2017
Giacometti working on Four Figurines on a Stand at the Tate Gallery, 1965, © ARS, NY and DACS, London 2017

The unsolved mysteries of Alberto Giacometti

Giacometti’s art seems as enigmatic as ever in this survey of the sculptor’s work at Tate Modern

14 Jul 2017
The Finding of Moses, (1904), Lawrence Alma-Tadema, private collection, wikimedia commons

Alma-Tadema deserves to be loved again

The artist has fallen so far out of critical fashion that his merits are often completely overlooked

13 Jul 2017
Michael Clark. Dancer (detail; 1989), David Williams. Commissioned by the Scottish National Portrait Gallery in 1988. © David Williams

How men dress up for art

From 17th-century cavaliers to today’s celebrities and athletes, artists have always had an eye on men’s fashion

12 Jul 2017
Landscape Near Kingston, Jamaica (1950), John Minton. Pallant House Gallery.

The artistic and personal struggles of John Minton

The British artist’s tense canvases are often troubling psychological self-portraits

10 Jul 2017

Domestic space made strange

The Israel Museum’s inquiry into the idea of home is full of surreal surprises

7 Jul 2017
© Kim Keever. Courtesy Waterhouse & Dodd

Smells like art

Many artists have experimented with smell. Now, Somerset House is putting scent at the centre of an exhibition

6 Jul 2017
Under the wave off Kanagawa (The Great Wave) (1831), Hokusai. © The Trustees of the British Museum

How Hokusai swept to fame

Hokusai never retired. In fact, he made his finest work in his old age, as this exhibition at the British Museum reminds us

4 Jul 2017
Prayer nut with The Nativity and The Adoration of the Magi (detail; c. 1510–25), Adam Dircksz and workshop

Small but perfectly formed

Examples of Dutch micro-carving on show at the Rijksmuseum are full of astounding detail

28 Jun 2017
Wader (1963), Milton Avery/. Courtesy The Milton and Sally Avery Arts Foundation and Victoria Miro, London.

Milton Avery’s unique American modernism

An exhibition of the artist’s works at Victoria Miro – the first in London in over a decade – is a lesson in painterly deftness

23 Jun 2017
One of the hexapteryga (detail) in the pendentives of the Hagia Sophia, Istanbul, photo: Dumbarton Oaks

The short step from pagan portraits to early Christian icons

Pagan and Christian art have more in common than you think – or so a polemical new book argues

22 Jun 2017

The Charterhouse is a time capsule in the centre of London

As part of a former monastic complex, the Charterhouse is a living reminder of London’s medieval past

21 Jun 2017
Man Searching for Immortality/Woman Searching for Eternity (installation view; 2013), Bill Viola. Courtesy Bill Viola Studio and Blain|Southern, London

Bill Viola breathes fresh life into the Renaissance

A thrilling opportunity to see Bill Viola’s work alongside the Renaissance art that inspired it

20 Jun 2017