Reviews

It’s been billed as ‘the broadest and most diverse’ Whitney Biennial to date, and the enormous variety of this year’s display is no bad thing

Some of Maastricht’s masterpieces are easily overlooked

We tend to forget how good art and design can be at communicating big ideas, and, it turns out, big data

Ruination is a condition of modern life. An exhibition at Tate Britain explores its enduring appeal

Restoration work on the painting has revealed some interesting facts, and debunked some myths

A round-up of the week’s reviews: Beautiful bronzes, Cézanne and the Modern, abstract drawings, Bill Viola, and Asian art

A roundup of highlights from Asia Week New York which runs from 14–22 March

Meditative and mysterious, Bill Viola’s video work asks timeless questions

Deacon stretches the concept of drawing well beyond the flat page

A small but exceptional display of bronzes from the Hill Collection

A round-up of the week’s reviews: women artists, kinetic art, Korea, spambots, keywords, the First World War and Futurism

The sheer scale of the Guggenheim’s display makes it impossible to box Futurism into its usual uneasy categories

This thoughtful and thought-provoking exhibition gives the war a human face

‘Keywords’ is a great idea for an exhibition, but it’s easy to lose some of the threads in the display

An exhibition of Korean art from the Joseon Dynasty has begun its year-long tour of the US

A round-up of the week’s reviews: dance, poetry, collage, textiles, installations and painting

Something had clearly gone very right at Art13 last year – Art14, its successor, was positively rammed on its opening night

This exhibition of the pioneering dancer and choreographer Loïe Fuller reveals her to be a thoroughly modern innovator

‘Makin’ lit’ry his-tor-y…’ Founded in 1967, Enitharmon Press is flourishing, and has adapted its publishing profile in recent years

‘Art & Life’ is a touring exhibition, but Kettle’s Yard is clearly its spiritual home

Hamilton never shied away from blatancy and delighted in mischievous shock and awe on his own terms

The artist has been given the run of the place, making and placing 18 works, as she put it to me, ‘wherever I could connect with something.’

Jill McManners’ watercolours of the forbiddingly beautiful Shiant Isles look compellingly out of place in central London

Creed asserts himself over the Hayward Gallery’s spaces and his presence is never entirely benign