‘Pharaoh’s Icon (also known as Caesar and the Slave)’ (1925), Leon Underwood. Private collection © The Estate of Leon Underwood Maggie Gray 27 February 2015 Share Twitter Facebook LinkedIn Email Share Twitter Facebook LinkedIn Email Recommended for you Dealer’s Choice: Beck & Eggeling Michael Beck of Beck & Eggeling discusses the gallery, collecting, and the state of the art market The story behind ‘Telling Tales’ at the Frist Center for Visual Arts Mark Scala on how he adapted the New-York Historical Society’s exhibition ‘Making American Taste’ for its new venue Women artists get a raw deal in historical collections. Will that ever change? The imbalance seems historically ingrained. But surely museums could do more to explain it Leave a comment Cancel replyYour email address will not be published. Required fields are marked *Comment * Name * Email * Save my name, email, and website in this browser for the next time I comment. Δ
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