‘Untitled’ (c.1880s), Wallace Studio, Manchester, New Hampshire. Collection of Adam Fuss Maggie Gray 13 February 2014 Share Twitter Facebook LinkedIn Email Share Twitter Facebook LinkedIn Email Recommended for you Royal Connections The Queen’s Gallery’s two current shows throw the question of private collecting and its relationship to artistic patronage into sharp relief Rejected Riches: Avenue House The sale of Sir Albert Richardson’s collection is a loss for the nation that could and should have been averted Six Sundays: Louvre cuts back on free entry scheme The Louvre’s monthly free Sundays may be a circus, but abolishing them strikes at the heart of one of its founding principles: culture for all Leave a comment Cancel replyYour email address will not be published. Required fields are marked *Comment * Name * Email * Save my name, email, and website in this browser for the next time I comment. Δ
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