‘Perseus and Andromeda’ (1552–3), Benvenuto Cellini. Museo Nazionale del Bargello, Firenze, Photo: Erich Lessing / Art Resource, NY Maggie Gray 21 October 2014 Share Twitter Facebook LinkedIn Email Share Twitter Facebook LinkedIn Email Recommended for you Review: ‘Rembrandt: The Late Works’ at the National Gallery, London Self-scrutiny, experimentation, intimacy and contemplation characterise the master’s final years Beyond Limits: Sotheby’s sculpture park at Chatsworth It is not just collectors who enjoy the encounter with sculpture in the landscape. The public seems just as keen Review: Russian Avant-Garde Theatre at the V&A The modernist designs at the V&A have an air of optimism about them, but we all know how the story ends Leave a comment Cancel replyYour email address will not be published. Required fields are marked *Comment * Name * Email * Save my name, email, and website in this browser for the next time I comment. Δ
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