‘Watermeadows near Salisbury’ (1829/30), John Constable © Victoria and Albert Museum, London Maggie Gray 15 September 2014 Share Twitter Facebook LinkedIn Email Share Twitter Facebook LinkedIn Email Recommended for you Review: Christopher Dresser at the Fine Art Society Overlooked for decades, Christopher Dresser is now recognised as one of the most influential figures in 19th-century design Can artificial intelligence really identify artistic influence? Scientists have developed an algorithm that identifies visual affinities between paintings. Are we all out of a job? Gallery: Constable at the V&A, London Preliminary sketches sit side by side with major oils by the British master in a new exhibition Leave a comment Cancel replyYour email address will not be published. Required fields are marked *Comment * Name * Email * Save my name, email, and website in this browser for the next time I comment. Δ
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