‘The Hunting of Chevy Chase’ (1825–26), Edwin Landseer © Birmingham Museums Trust Maggie Gray 25 September 2014 Share Twitter Facebook LinkedIn Email Share Twitter Facebook LinkedIn Email Recommended for you Art and protest in Latin America Two exhibitions in Buenos Aires this summer explored how Latin American artists have responded to the region’s social and economic upheavals First Look: ‘Rubens and his Legacy’ at BOZAR, Brussels Without Rubens no rococo, no romanticism, no orientalism. Perhaps even no Impressionism. More than just copies: Brussels’ Plaster Cast Workshop Can a copy ever be more authentic, and more informative, than an original work of art? Leave a comment Cancel replyYour email address will not be published. Required fields are marked *Comment * Name * Email * Save my name, email, and website in this browser for the next time I comment. Δ
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