‘The Rape of Proserpina’ (c. 1690-1700), François Girardon, © Tomasso Brothers Fine Art Imelda Barnard 28 April 2014 Share Twitter Facebook LinkedIn Email Share Twitter Facebook LinkedIn Email Recommended for you £10 million raised to keep Van Dyck’s last self-portrait in the UK Sandy Nairne, the director of the National Portrait Gallery, explains its significance Muse Reviews: 27 April A round-up of the week’s reviews: Hindu-Buddhist sculpture, Yelena Popova, Richard Wilson, and contemporary art in Azerbaijan First Look: ‘Comics Unmasked’ at the British Library They’re rebellious, experimental and internationally influential: it’s time Britain celebrated its comics Leave a comment Cancel replyYour email address will not be published. Required fields are marked *Comment * Name * Email * Save my name, email, and website in this browser for the next time I comment. Δ
![Masterpiece [Re]discovery 2022. Photo: Ben Fisher Photography, courtesy of Masterpiece London](http://zephr.apollo-magazine.com/wp-content/uploads/2022/07/MPL2022_4263.jpg)