A Chinese Ming dynasty ‘chicken cup’ – one of just 17 known examples in the world – fetched $36 million at Sotheby’s yesterday, making it the most expensive piece of Chinese porcelain ever to be sold at auction.
It seems extraordinary that such a tiny and unassuming vessel, with its delicately brushed motif of a rooster, a hen, and their diminutive chicks, could hold such value. But these cups have been held in high esteem – and sold at very high prices – in China for centuries. Today, the piece’s obvious quality is matched by its rarity. Only four such objects remain in private hands.
The Meiyintang ‘Chicken Cup’ (panorama) Image courtesy of Sotheby’s
What would it be like to hold such a fragile $36 million? Even on screen it calls out to be touched, but caution and common sense must surely consign it to the display cabinet. The Guardian website is running a video that shows Sotheby’s Nicholas Chow holding the piece at the sale. His hands dwarf the object. It looks paper thin and precarious.
The Meiyintang ‘Chicken Cup’ (panorama) Image courtesy of Sotheby’s
Auction records are bandied about in the art world as an indication of an object’s historical and artistic clout. It’s easy to forget that such a confident market relies on fragility. Items such as the ‘chicken cup’ are valuable to us, at least in part, due to the simple fact of their unlikely survival, the nervy knowledge that they could go to smithereens in an instant.
![Masterpiece [Re]discovery 2022. Photo: Ben Fisher Photography, courtesy of Masterpiece London](http://zephr.apollo-magazine.com/wp-content/uploads/2022/07/MPL2022_4263.jpg)
Handle with Care: Chinese ‘Chicken Cup’ fetches $36 million at auction
The Meiyintang 'Chicken Cup', which sold for $36 million at auction this week. Image courtesy of Sotheby's
Share
A Chinese Ming dynasty ‘chicken cup’ – one of just 17 known examples in the world – fetched $36 million at Sotheby’s yesterday, making it the most expensive piece of Chinese porcelain ever to be sold at auction.
It seems extraordinary that such a tiny and unassuming vessel, with its delicately brushed motif of a rooster, a hen, and their diminutive chicks, could hold such value. But these cups have been held in high esteem – and sold at very high prices – in China for centuries. Today, the piece’s obvious quality is matched by its rarity. Only four such objects remain in private hands.
The Meiyintang ‘Chicken Cup’ (panorama) Image courtesy of Sotheby’s
What would it be like to hold such a fragile $36 million? Even on screen it calls out to be touched, but caution and common sense must surely consign it to the display cabinet. The Guardian website is running a video that shows Sotheby’s Nicholas Chow holding the piece at the sale. His hands dwarf the object. It looks paper thin and precarious.
The Meiyintang ‘Chicken Cup’ (panorama) Image courtesy of Sotheby’s
Auction records are bandied about in the art world as an indication of an object’s historical and artistic clout. It’s easy to forget that such a confident market relies on fragility. Items such as the ‘chicken cup’ are valuable to us, at least in part, due to the simple fact of their unlikely survival, the nervy knowledge that they could go to smithereens in an instant.
Unlimited access from just $16 every 3 months
Subscribe to get unlimited and exclusive access to the top art stories, interviews and exhibition reviews.
Share
Recommended for you
In Defence of the Antiquities Trade
A response to Christos Tsirogiannis’ post of 2 April on this site about possibly looted antiquities appearing in the London salerooms
Remembering Alan Davie: 1920–2014
Every visit to Alan was an experience to savour. His home and studio was full of colour
Audio Arts archive published on Tate website
Audio cassette magazine Audio Arts has been made digitally available to the public on the Tate website