Past Issue
April 2022
• What was really behind Surrealism?
• An interview with Cecilia Alemani, Artistic Director of the Venice Biennale
• Revealing the mystery of Bassano’s Quails
• The Venice Pavilions you must see
Plus: Beyond the Biennale, greenwashing in museums, what we’re losing with Bastion House
Inside this issue
Past issues
June 2024
Napoleon Bonaparte | Caspar David Friedrich | the Impressionists
May 2024
The National Gallery | Alvaro Barrington | Art and the oil industry
April 2024
Immersive art | Keith Haring | Venice Biennale
March 2024
Willem de Kooning | Angelica Kauffman | Laure Prouvost
More from Apollo
Why everyone loves Keith Haring
The pop artist believed that artists should make work for the masses. Decades after his death, his images are everywhere
The sentimental side of Angelica Kauffman
In the 18th century, Europe was swept by a trend for art that revealed the inner lives of its subjects – and the Swiss painter encapsulated the ideas of the age
Fjord focus – how Ibsen inspired the art of Edvard Munch
The Norwegian painter was referring to Ibsen’s play ‘Ghosts’ when he painted his dream-like landscape of 1906
The restless spirit of Sonia Delaunay
The artist’s irrepressible energy shines out in this survey of her long career at Bard Graduate Center, writes Eve M. Kahn