Search results for: First Look
Review: ‘Polke/Richter Richter/Polke’ at Christie’s Mayfair
The partnership and rivalry between these two great painters was mutually beneficial
Building the catalogue: the National Gallery and digital publishing
‘Building the Picture’ is accompanied by the National Gallery’s first fully digital catalogue
Lynn Chadwick: May Apollo
Éva Chadwick talks to Apollo about the Lynn Chadwick centenary celebrations
Review: ‘Other Primary Structures’ at the Jewish Museum
‘Primary Structures’ in 1966 featured minimalist sculptors from the US and UK. This revisionist revival looks further afield
Review: Lost Kingdoms: Hindu-Buddhist Sculpture at the Metropolitan Museum
Packed with treasures, this exhibition will be hard to top
Highlights from ‘Roads of Arabia’ at the Nelson-Atkins Museum of Art
A selection of highlights from the forthcoming exhibition
Forum: Does today’s art market benefit young artists?
Apollo’s April Forum asks whether art market hype affects emerging artists
Modern art is not the enemy of religious art – it’s revived it
Christian art can never be straightforwardly representational
‘I never got involved in drugs, or any of the wild goings-on’. Alex Katz on the US art scene
Alex Katz talks to Matthew Sperling about his memories of the New York School and his love of poetry
Editor’s Letter: Culture Secretaries
The new culture secretary, Sajid Javid, must be as visible as possible at arts venues in the coming months
Review: ‘Paris 1900’ at the Petit Palais, Paris
The Petit Palais is the perfect location for ‘Paris 1900’ and its sumptuous exploration of the Belle Époque
In Defence of the Antiquities Trade
A response to Christos Tsirogiannis’ post of 2 April on this site about possibly looted antiquities appearing in the London salerooms
Review: Pablo Echaurren at the Estorick Collection
‘…to be iconoclast is also a gesture of respect, of devotion.’
Will the arts world in the UK miss Maria Miller?
Maria Miller has resigned as UK culture secretary. Perhaps it’s now time to rethink the DCMS entirely.
Review: ‘Degenerate Art: The Attack on Modern Art in Nazi Germany, 1937’, Neue Galerie, New York
Review of ‘Degenerate Art’ at the Neue Galerie, New York
Art and science in conversation: why now?
Why have art and science particularly come together in a glorious synergy of exhibitions in 2014?
Muse Reviews: 6 April
A round-up of the week’s reviews: Anselm Kiefer, Phyllida Barlow, Camille Henrot and sustainable art
The Glamour of Italian Fashion: 1945–2014, V&A, London
A gallery of highlights from the V&A’s current exhibition which looks at Italy’s unique contribution to fashion
Buying for Boijmans: the story behind a recent museum acquisition
Sjarel Ex explains how the Museum Boijmans van Beuningen acquired a Hammershøi at TEFAF
Christophe Leribault, Petit Palais, Paris: April Apollo
In Apollo’s April issue we spoke to Christophe Leribault, director of the Petit Palais in Paris
Flipping Out: Saltz and Simchowitz clash over the art market
Flipping art is a controversial practice: it was only a matter of time before it resulted in a public spat
Editor’s Letter: Italian museums are showing the strain
In his April Editor’s Letter, Thomas Marks asks ‘Was there ever a golden age for Italian Museums?’
In Pursuit of an Idea: Camille Henrot at Chisenhale Gallery
French artist Camille Henrot’s first solo UK exhibition at Chisenhale Gallery is like asking a question and receiving a million answers
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The Week’s Muse: 26 April
Print collecting, digital catalogues and curator chic… some of the discussions on the blog this week