New highlights every day from TEFAF Maastricht
Rosso nero
(1955), Alberto Burri
Burri’s use of expressive and unconventional materials brought a new and powerful language to post-war art. His work blurred the boundaries between painting and relief sculpture, not least in its visceral combinations of household textiles and mass-produced industrial materials that were torn, torched, melted or charred. A strange beauty survives in the juxtaposition of ruin and repair, balancing precariously between disintegration and cohesion.
Selected by Susan Moore.
Unlimited access from just $16 every 3 months
Subscribe to get unlimited and exclusive access to the top art stories, interviews and exhibition reviews.
![Masterpiece [Re]discovery 2022. Photo: Ben Fisher Photography, courtesy of Masterpiece London](http://zephr.apollo-magazine.com/wp-content/uploads/2022/07/MPL2022_4263.jpg)
Are the art market’s problems being blown out of proportion?