How can art contribute to and shape national histories? This week in the Muse Room, our contributors have looked at the problems surrounding acquiring, creating, preserving and touring national treasures:
How should countries grow and use their national collections?
The Essl Museum in Austria
Maurice Davies questions the UK Government’s focus on enabling acquisitions rather than caring for existing collections. Austria may buy the private Essl Collection, to keep it together and to save jobs in Essl’s struggling company.
Pompeii’s forgotten frescos
Hardly anybody was aware of the fresco that thieves stole from Pompeii’s House of Neptune, nor would they have been particularly impressed by it, notes Daisy Dunn. All the same, its disappearance has left yet another crack in the ancient site’s crumbling walls.
14-18 NOW: Commemoration and contemporary art
New commissions for Britain’s 14-18 NOW First World War Centenary cultural programme have been announced. The programme will use visual art, music, literature and film to engage younger generations.
Compromised: The British Museum’s incomplete history of homosexuality
The British Museum isn’t afraid to challenge cultural taboos. So why did it omit Chinese artefacts from Richard Parkinson’s book, ‘A Little Gay History’? Another ethical issue for institutions pursuing international cultural exchange.
![Masterpiece [Re]discovery 2022. Photo: Ben Fisher Photography, courtesy of Masterpiece London](http://zephr.apollo-magazine.com/wp-content/uploads/2022/07/MPL2022_4263.jpg)
The Week’s Muse: 29 March
Guiseppe Abbate’s drawing of the fresco. From Pompeii Pitture e Mosaici Vol IV
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How can art contribute to and shape national histories? This week in the Muse Room, our contributors have looked at the problems surrounding acquiring, creating, preserving and touring national treasures:
How should countries grow and use their national collections?
The Essl Museum in Austria
Maurice Davies questions the UK Government’s focus on enabling acquisitions rather than caring for existing collections. Austria may buy the private Essl Collection, to keep it together and to save jobs in Essl’s struggling company.
Pompeii’s forgotten frescos
14-18 NOW: Commemoration and contemporary art
Compromised: The British Museum’s incomplete history of homosexuality
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