Features

The Whitney Museum of American Art is moving downtown, and its director Adam D. Weinberg has big plans for the new building and the collection

A look at how the genre of the grotesque has unfolded from the Renaissance to the present day

Two impressive tapestries have been taken out of storage this Spring

Can museum education programmes have a more radical purpose?

What is the cultural legacy of Louis XIV’s extravagant reign?

We’ve picked a few highlights from the world’s premier marketplace for drawings

It’s all eyes on Maastricht as TEFAF opens for business, bringing together the world’s leading dealers under the roof of the MECC

The Parisian art dealer Paul Durand-Ruel played an instrumental role in the rise of the Impressionists

Mark Hallett on his long-term relationship with Joshua Reynolds

The Detroit Institute of Arts has known hard times in recent years. As he prepares to retire, director Graham W.J. Beal reflects on the museum’s recent struggles and successes

Tom Jeffreys on the changing nature of Finland’s art scene

Has London ever had such a thirst for Victorian art? A feature from the February issue of Apollo

Maria Balshaw on the gallery’s grand reopening in Manchester

The director of the J. Paul Getty Museum reports from Los Angeles