Interviews
In the studio with… Ai-Da
The AI-powered humanoid robot talks Apollo through her studio routine, which involves listening to Chopin and pondering the strangeness of her own existence
What makes Christian Marclay really tick?
As his 24-hour film The Clock returns to MoMA, Christian Marclay talks about working with sound and images – and bridging the divide between the two artistic worlds
‘It’s a decorative art, it’s more than fashion’ – Francesca Galloway on collecting couture
A leading dealer in Indian paintings and textiles, she also has an extensive collection of 20th-century haute couture – and the two seem to go together nicely
The young collectors on the hunt for Old Masters
New York-based collectors Domenico Lanzara and Sean Imfeld speak to Apollo about their obsession with Old Master drawings
The cosmic art of Liliane Lijn
The artist has pursued her interest in light, motion and myth across drawing, sculpture and performance for six decades, but it’s her openness to new ideas that really defines her work
In the studio with… Pauline Curnier Jardin
When working in her suntrap of a studio in Rome, the artist enjoys people-watching, listening to jazz and admiring an antique manhole cover made of travertine
Scotland the brave – an interview with the director of Studio Voltaire
As the cutting-edge arts organisation in south London turns 30, Joe Scotland talks to Apollo about class, community and contemporary art
Tamsin Wimhurst: the woman who saves the extraordinary homes of ordinary people
The social historian who bought the David Parr House in Cambridge finds herself drawn to fantastical interiors in unexpected settings
The tennis coach who’s having a ball collecting abstract art
James Trotman, who coaches Britain’s current #1 tennis player, talks to Apollo about his love of modern British painting and why art and tennis are a good match
‘I wanted conversations, I wanted people, I wanted the play’ – an interview with Hildegard Bechtler
Creating the sets for plays at the National Theatre, the Barbican and the Royal Court is no mean feat. The German-born set designer speaks to Apollo about how she works her magic
Eric Fischl enters the third dimension
The painter has turned his hand to virtual reality, using cutting-edge technology to pursue ‘a painter’s idea of sculpture’. He talks to Apollo about the attractions of VR
Exposing the colonial past – an interview with Sammy Baloji
Taking photographs as a starting point, the artist unearths the hidden connections between European colonialism and modern-day Africa
Jeremy Frey weaves new worlds
The seventh-generation basketry artist is bringing new dynamism to an ancient craft
In the studio with… Eduardo Terrazas
The Mexican artist, known for his woven works that borrow from folk-art traditions, listens to Bach and Rosalía while working in his studio in Colonia Roma, Mexico City
In the studio with… Joy Labinjo
The artist observes a long working day in her studio in Harringay, but enjoys listening to bashment, riding her Peloton and thumbing through books by Kerry James Marshall
‘It’s about what’s in your heart and soul. Technology’s just some tool’ – an interview with Bill Viola (1951–2024)
The pioneering video artist has died at the age of 73. In this interview from our March 2014 issue, he talked to Apollo about how his work grapples with some of life’s biggest questions
In the studio with… Wendy Sharpe
The artist has all she needs in her capacious studio in Sydney, where her artist partner, some audiobooks and a Mexican papier-mâché skeleton keep her company
‘My art’s got to be a carnival, I’m there with you’ – an interview with Alvaro Barrington
Ahead of his Tate Britain commission, the artist tells Apollo about being inspired by Tupac and Cy Twombly and wanting to involve communities in everything he makes
The revolutionary textiles of Britta Marakatt-Labba
The influential Sami artist talks to Apollo about how she has always woven politics and protest into her work
In the studio with… Joan Semmel
The New York native keeps up with current affairs, listens to Radio Garden and works every day – that is, when she’s not entertaining Leonardo DiCaprio
Transforming the National Gallery, one painting at a time
The museum’s head of framing, Peter Schade, is quietly changing how we see some of the world’s most famous pictures
In the studio with… Erwin Wurm
The artist finds solace in Annie Ernaux and a booming Tibetan sound bowl while working on his playful sculptures in the Austrian countryside
In the studio with… Matthew Krishanu
The artist takes inspiration from Billie Holiday, El Greco and a pair of old Indian puppets when painting large-scale canvases in his East London studio
Space explorer – an interview with Kapwani Kiwanga
Despite the painstaking research that underpins the artist’s work, there’s nothing dry about its outcomes – as visitors to the Canadian Pavilion in Venice will discover
Are the art market’s problems being blown out of proportion?