Current Issue
April 2025
In this issue
The Frick returns to Fifth Avenue
An interview with Oliver Beer
How the Acropolis became modern
In praise of ‘degenerate’ art
Also: The duchess who scandalised Spain, why the market for women’s art is slowing, Dutch paintings at Apsley House, how Bugatti built a style icon, the sensational designs of Alphonse Mucha, and a preview of Art Dubai; reviews of Gertrude Abercrombie in Pittsburgh, Medardo Rosso in Vienna, and a history of image-eating. Plus: Will Wiles on a French avant-garde portrait with a family connection
‘Archives are the closest thing we have to a time machine’
Past issues
March 2025
How to give back looted objects | An interview with Alex Da Corte | Versailles enters the 21st century
February 2025
Can American art escape the culture wars? | Poking fun at 18th-century Paris | Donald Duck’s fowl play
January 2025
The art of divination | an interview with Jake Grewal | will the market recover in 2025?
December 2024
Rachel Ruysch | What museums think about climate protests | Apollo Awards 2024
More from Apollo
The uneasy business of being an American artist
Rachel Cohen talks to Apollo about the reissue of ‘A Chance Meeting’, her inventive account of more than a century of artistic endeavour in the United States
The painter who poked fun at 18th-century Paris
Working in the new medium of pastels, Maurice-Quentin de La Tour portrayed the elites of his day in a style to suit the hedonism of the age
The Mughal emperors who forged a new artistic tradition
At its peak, the Mughal empire brought together scholars and artists of different languages and faiths to create art fit for kings
What would Jane Austen say?
Nothing gets a certain type of viewer more hot under the cravat than anachronisms in period drama – but the best inaccuracies are artistically liberating