This January, Apollo features interviews with the groundbreaking conceptual artist Susan Hiller and the collector Don Brownstein, and essays on Julia Margaret Cameron, sculpture and nuclear energy, and the lack of studio space in London. Plus: leading figures in Germany debate the country’s controversial Cultural Property Protection Act and Gavin Stamp revisits the Celtic Revival. Preview the issue below.
What happens when an artist wants to be anonymous?
An Austrian museum is hosting a show by an unnamed artist – but perhaps this act of secrecy will help us see the work more clearly