12 Days – Highlights of 2018
The reopening of the Hayward Gallery and a Tacita Dean trilogy
It’s a big year for museums in the UK, with reopenings, expansions, and collaborations in London and Cambridge
Fra Angelico in Boston, Scarpa’s glass, and Tintoretto at 500
The chief curator of the Frick Collection picks out his highlights for the year ahead
The Irish art galleries ringing the changes in 2018
Highlights in Dublin and Cork this year include exhibitions on Brian Maguire, Wolfgang Tillmans and Mary Swanzy
Myths, music, and medieval Celtic
Looking forward to a year of monographic exhibitions, from Joan Jonas in London to Danh Vō in New York
Old worlds and new horizons
Highlights of 2018 include Thomas Cole’s paintings at the Met and Njideka Akunyili Crosby’s mural at MoCA
A trip along the East Coast of the United States
From post-war German art at Harvard to Leonardo at the Worcester Art Museum, here are some gems beyond the blockbuster exhibitions
Early photography, ancient Egypt, and postmodern architecture
Highlights of 2018 include Victorian photographers, Egyptian influences, and models from Kinshasa
Video games and the many gardens of Manifesta
European highlights for 2018 include three promising young artists and Palermo’s eco-focused edition of Manifesta
Avant-garde legends and art to change the world
Prominent exhibitions in 2018 will explore how art challenges power and how far it can transform the world
Studio ceramics and Charles I’s reunited treasures
Masterpieces by Titian, Dürer, and Van Dyck return to London from their far-flung homes, and pottery comes to Cambridge
Pain, precision and poetry
Highlights of 2018 include violent visions in Dulwich, Bruegel in Vienna, and T.S. Eliot at Turner Contemporary
Turning the spotlight on Sir Richard Wallace
The Wallace Collection celebrates the 200th anniversary of its founder’s birth
![Masterpiece [Re]discovery 2022. Photo: Ben Fisher Photography, courtesy of Masterpiece London](http://zephr.apollo-magazine.com/wp-content/uploads/2022/07/MPL2022_4263.jpg)
Are the art market’s problems being blown out of proportion?